About Robert Pouget

About Robert Armand Pouget

Born at the outset of the second world war, at the Chateau St Victor, he moved with his family to Paris when the Chateau was requisitioned by the Wehrmacht. At the age of ten, he was sent to boarding school in England, going into Uppingham and Cambridge. Holidays were spent in Paris and at Chateau de Bellefontaine near Fontainebleau. He developed his enthusiasm for illustration and painting whilst at Uppingham School and later at the Art Students League New York. After two years military service in the Infanterie de Marine in Agen and Algeria, he worked in Paris as a freelance artist specialising in illustrations for magazines. With marriage and children, Robert moved to England where he worked as an Art Director for a large international enterprise. In his thirties, he returned to Paris and was involved in the film world as a producer and agent. He became ‘Fromager Par Excellence’ as one does, by a series of coincidences, he created a new blue cheese, Oxford Blue, which  these days is sold throughout England and often features in first-class airline meals and restaurant menus. Following this success, he created his own table sauce, Oxford Sauce which has developed a cult following as far as the US and Australia. Now in his eighties, Robert has resumed his original passion for painting and illustration.

 

Chateau St Victor 1940, the opened window in the middle is the room where Robert was born. This Chateau is now a recuperation centre.

Paris, Boulevard Lannes, 1944. The artist Didier-Pouget with Robert’s older sister Antoinette.

Robert in Paris, 1980, at the time of his involvement in the French film industry.

Robert in his father’s arms, 1941, his father had just returned from escaping from German incarceration.

Prisoners of war 1916 in Germany, his maternal grandfather is on the centre of second row next to the bearded soldier.

His father, Autoine Pouget, in 1916, aged 18, photographed before setting out for the trenches.

Robert’s first car whilst a student at Cambridge.

Robert in his eighties. Rekindling his passion for painting.

General Baron Pouget, one of Bonaparte’s favourite generals.

Following in the footsteps – William Didier-Pouget

William Didier-Pouget (1864–1959) was a notable French artist, whose career in landscape painting began in earnest with his debut at the Salon de Paris in 1886.

As a proficient plein air painter, he was devoted to capturing the alluring countryside of southern France, characterised by a vivid portrayal of light and colour that aligns with the aesthetic principles of the Impressionist movement, though he was not formally identified with the core group of Impressionist artists. Didier-Pouget’s artistic style was heavily influenced by his studies at the École des Beaux-Arts in Toulouse and later in Paris under various prominent painters. His paintings, recognised for their serene and poetic qualities, often depicted dawn and dusk scenes with a particular focus on natural elements like rivers and heather fields. Throughout his career, Didier-Pouget received numerous accolades, including being named an Officer of the Legion of Honour and receiving international recognition with exhibitions as far as the United States. His art continues to be celebrated for its tranquil representation of nature and masterful use of light.

In stark contrast, his grand nephew, Robert Pouget, has embraced a style of brutalist painting, markedly different from Didier-Pouget’s tranquil and light-infused landscapes. Robert’s work, heavily influenced by the likes of Otto Dix, a German painter known for his ruthless and harshly realistic depictions of society during the Weimar Republic, and Georges-Henri Rouault, a French painter associated with Fauvism and Expressionism, reflects a more gritty and confrontational aesthetic. This generational shift in artistic focus not only highlights the evolution of art styles but also underscores the unique interpretive lens each artist applies to their observations of the world.

Robert painting seascape

William Didier-Pouget’s studio, 12 Boulevard de Clichy, Paris

Matinée dans le Limousin, Bruyères en fleurs (Bergère), oil on canvas, 240 x 170 cm